Review Everyday Witch Tarot from Elisabeth Alba, Deborah Blake

The deck of cards is delivered in a rigid cardboard box of the correct thickness. The box closes with a magnet that makes it very easy to open and fabric ribbons allow the material to be removed from its housing.

The cards are housed in another box inside the case. I appreciate that the cards have their own rigid cardboard box, this allows you to take only the game with you. It is also worth mentioning that the bottom of both boxes is decorated with a picture, I appreciated this detail.

The cards are of normal thickness for a "mass-market" product. With 12 centimeters in height, the cards are rather large, it can be difficult for a person with small hands to shuffle the deck horizontally, in such a case, shuffling the cards vertically will be necessary.

Note that the book is in color, a fact rare enough to be underlined. The price of the set is a more expensive than competing tarot cards (32 euros) but given the quality and design of the material, we would like all the tarot cards on the market to be like this.

The game is created by Deborah Blake and designed by Elisabeth Alba.

Deborah Blake is the author of numerous books on modern witchcraft. She has written several series of books such as "Baba Yaga", "Rider" or "Veiled Magic", mixing romance and fantasy. She is also co-creator of several card games, including "Everyday Witch Tarot" (the tarot of this review), "Everyday Witchcraft", "A Year and a Day of Everyday Witchcraft" and "The Little Book of Cat Magic". She works as a tarologist and energy healer, and in a non-profit artist co-operative store.

For more information on Deborah Blake, visit her website at http://www.deborahblakeauthor.com

Elisabeth Alba is an illustrator who has drawn the covers of several novels and coloring books. She has illustrated the "Everyday Witch Tarot" and the "Everyday Witch Oracle" by the same author Deborah Blake.

For more information on Elisabeth Alba, visit her website http://https://www.albaillustration.com/

The tone of the book is willingly light and humorous, it seems addressed to a young audience, its reading is therefore pleasant and easy.

In Chapter 1, Moura presents his advice for drawing the cards. Concerning the suits, the author decided to keep the suits of the Rider-Waite-Smith with Pentacles, Wands, Swords and Cups. Her interpretation of the 4 elements associated with Earth, Fire, Air and Water fits well with the canons of astrology. On the other hand, his interpretation of the numbers from 1 to 10 differs from the usual meaning of numerology, but this fact is very common among RWS-based tarot creators.

In the second chapter, which is actually a Frequently Asked Questions section, the author answers most of the questions that beginners have, typically: "What is a significator?", "What is a clarifier?", "What are reversals?", "What if the draw makes no sense?", "Do I have to be medium to read tarot?". Answers to these questions are welcome and make the book accessible to beginners.

Finally, the author describes 3 spells (actually 3 rituals). The first spell allows to consecrate our tarot deck. The second spell purifies the used cards, and the last one is a spell to make a good draw (an exercise of concentration and focus). These 3 spells fit perfectly with the tone and atmosphere of the book, I totally adhere to the approach of the author who tries to demystify these magical practices.

Chapter 3 of the book concerns the presentation of the cards. The big surprise is the presence of the image of each card in large size and color. We really appreciate not having to take the cards out and have them on hand to read their meaning. The caption of the image and the subtitle of the page are key phrases, often timely and well found, effectively summarizing the meaning of the card.

The meaning text takes one page only, even for the Major Arcana, which is short. On the other hand, the text is clear and broken down into 3 paragraphs. The first paragraph describes the image of the card. The second paragraph gives the general meaning of the card. And the third paragraph entitled "Things to consider" offers advice in terms of personal development. The texts on the Minor Arcana follow the same logic but are reduced to only 2 paragraphs.

The reading of its chapters shows that the tarot is really designed for coaching or personal development purposes. The predictive aspect (reading the future) of divinatory practice is clearly overlooked here.

Note a characteristic of this game, at least one cat is present on each card, sometimes even several cats. Those who surround themselves with these dear pets on a daily basis will certainly appreciate the choice of the authors.

Chapter 4, only 5 pages long, offers 3 classic drawings. First, the one-card draw is discussed. Then, the author discusses the 3-card draw. Finally Blake takes more time to describe and explain the "Celtic Cross" draw. There are no examples provided for any of the three drawings, a pity.

THE CHARIOT turns into a sidecar motorcycle driven by a young witch. She is at a crossroads where she has to choose between two directions. The staging is interesting but it reminds too much in my opinion of the choice that is supposed to have been made on the previous card L'AMOUREUX/THE LOVERS. Usually, THE CHARIOT does not represent a choice, but the consequences of a choice. That is to say, to now have to go all the way, whatever the cost, and not to question what was decided before having collected the first results (represented by the next card supposed to be 8 - JUSTICE in the Tarot de Marseille).

In this card, the emphasis is on the notion of solitude, as it depicts a young witch sitting in front of a wood fire in the middle of the forest during night. I agree with this point of view, but it seems to me that it is incomplete, because traditionally THE HERMIT speaks of walking a path (thanks to his pilgrim's staff). It is about introspection and obtaining an inner truth. Certainly this young witch seems to be sitting well in a meditative position, but I miss the action of THE HERMIT walking upright.

This HANGED MAN is handcuffed with chains locked by a padlock. Certainly, this sorcerer has a key in hand with a shiny shape, a key that requires a concrete existence in order for the young man to be free. What I don't like here is the passive appearance of the sorcerer, who seems weary, without energy, with his eyes closed. In the traditional Tarot de Marseille approach, THE HANGED MAN has his hands behind his back, so we don't know if he is really handcuffed. Moreover, he is often very expressive, he pulls out his tongue for example. The tradition shows A HANGED MAN who has made the choice of his situation, who assumes the consequences. He has voluntarily made the choice to stop in order to look at the world differently, to adopt another point of view (with his head upside down) and to leave only when he is ready. In short, in my vision, THE HANGED MAN is anything but a prisoner. And this card gives me doubt.

In this version of LA MAISON-DIEU/THE TOWER, the young witch is standing in front of a collapsed tower. Although this card does speak of an explosion, a rupture, a landslide, the witch stands on her feet firmly anchored to the ground. We even guess that she herself caused the collapse. In the traditional vision, two characters fall from the top of the tower. That the tower explodes does not come from their will, but from an external element (a lightning bolt comes down from the sky) and above, all they have their heads upside down, meaning that their deepest convictions are being questioned. This card usually emphasizes the need to abandon values that have become obsolete or outdated. In this tarot, the witch seems too sure of herself to have given up anything.

I find that this card looks too much like LE MAT/THE FOOL card. Indeed, in THE JUDGMENT we see a character playing music and moving forward, with a cat leaping behind him. It looks like the archetype of LE MAT/THE FOOL which is a character also going forward with good humor and lightness, an animal leaping beside him. THE JUDGMENT usually announces an event, a change of situation, hence the angel's trumpet which has the same role as the ringing bells of a church. Here, in this tarot, the trumpet is transformed into a musical flute from which a melody comes out. The symbolism is different. What happens to the announcement of renewal? Certainly in the text, the author speaks well of rebirth and renewal. But concerning the flute, she proposes the interpretation: "Do you follow your own music or that of another? You must listen to your inner wisdom and not judge yourself too harshly". Here, the flute thus refers to "the judgment of oneself". But I still don't understand the association with the revival of which she speaks.